Schedule Mishaps, and Kickstarter Things

As I have been busy getting the Rosaria of Venice Kickstarter campaign ready to go, I did not manage to get yesterday's post up. I do apologize.

In order to keep this from happening (as there are no signs of me getting less busy in the coming weeks), I will be scaling down my posts for a while. I will still try to keep to my Monday/Wednesday/Friday schedule, but expect more reposts and shorter comments. I will resume long-form essays—including the one planned for yesterday—as soon as things begin to clear up.

On the bright side, I'm starting to update Runicfire.net with some much-needed content. A dedicated page for my forthcoming novel is up, and that will be the main page for the project until the Kickstarter begins next Friday, May 24th. If that interests you, please check it out and keep an eye here for updates. I will also be adding a section which consolidates other fiction and goodies I post here, and just generally rounding out the site as much as I can.

And lastly, as consolation, an awesome picture someone posted on Facebook:

And with that... I will be seeing you next week with Monday's usual links. Have a good weekend!

Steampunk: A Modern Throwback to Classic Science Fiction

As I again delve into the various genres of fiction with which my current writing intersects, I discover surprising gaps in my knowledge—and more books for my reading list.

This is hardly a bad thing. Writers are fed by writing, and not always their own. Indeed, one would hope that much of it is not their own—we learn our craft first and best by reading the works of others. That is where we discover what we like, what we don’t, and in our various reactions develop the biases that inform our own voices and styles.

This Week On Runicfire: May 13th - May 19th

Monday's links: Colony Collapse Disorder, the recent history of famine, and pictures from the International Space Station.

Wednesday's post delves into the world of Steampunk.

And on Friday, a look at the world outside of Europe in the 15th Century.

Monday Links: The Secret History of Colony Collapse Disorder, Graphing Famine, and Photos from the ISS

So, one kind of business (finals) ends, and another begins. I’ve been busy getting the Kickstarter for my novel going, and thus these Monday links are up late. But do not fear, for they are here at last!

A guest post on Bug Girl’s Blog talks about how Colony Collapse Disorder—that worrying trend of domestic honeybee hives spontaneously dying off—is older than the name, and how the press and the scientific community have overlooked and obfuscated the actual issue.

On the sobering front of human mortality, the Economist hasa graph showing the history of world famine.

Lastly, a set of fifteen photos taken from the International Space Station on Bad Astronomy.

Alternate History Fiction, Fiction History Fact

It is an odd feeling when you discover how little you know about a subject.

I first learned of the alternate history genre at around the age of 10. Or at least, I think it was the age of ten. I might’ve been two or three years older or younger. All I know is that I was in a cool and musty used book store, and I found this hefty paperback with a picture of Stalin, Hitler and Truman standing in front of a ray gun straight out of the Golden Age of science fiction. The blurb on the back said this was “alternate history.” From what I remember of my emotions at the time, I found the whole idea silly. Still, the notion of playing with past events stayed with me, despite my skepticism about the genre.

At the time, I believed alternate history—fiction taking place in a history divergent from our own—to be a new sub-genre of science fiction. That is not accurate. Alternate histories have been around for a long time. According to Wikipedia, one of the earliest works in that category is Tirant Io Blanc, a 1490 epic by Joanot Martorell that tells a version of recent history in which the titular hero repels the Turkish invasion of Constantinople. According to the same article, alternate history novels and stories appeared in the mass market in the 19^th and early 20^th centuries, with the 30’s being a pivotal decade for the genre. During World War II, alternate history tales also served as a means of propaganda for Allied countries. (Wikipedia, 2013)

For that matter, while alternate history can overlap with science fiction, it doesn’t have to. The earliest examples, mentioned above, were written before science fiction became a discrete entity. Quentin Tarantino’s Inglorious Basterds is an alternate history, and has no science fiction elements to speak of. (It does, however, feature idiosyncratic, Tarantine dialogue.)

Oddly enough, when I conceived of the idea for my forthcoming Rosaria of Venice, which is an alternate history, I hadn’t read or seen much in the way of alternate history. I still haven’t. The only work I have seen and can honestly categorize as such is the animé Full Metal Panic. It is a lack of experience that I ought to fix. The idea for Roaria, however, didn’t come from that animé, despite some odd parallels. It came from a little device called the antikythera mechanism.

The antikythera mechanism, as the Wikipedia article explains, is a mechanical computer designed to calculate the positions of heavenly bodies at particular places and times. Such a device would be invaluable for navigators in the 1^st Century BC—when it was likely developed. Comparable machines would not appear for another fifteen hundred years. (Wikipedia, 2013)

Learning of this device led me to wonder, much as Carl Sagan did, what might have happened if the civilization which produced this machine—that of the Greeks and Romans—had survived past the 3^rd Century AD. From this thought, the first prototype of Rosaria of Venice arose: a version of the 5^th century (or thereabouts) AD where, after the fall of the Roman Empire, Greece nonetheless survived as a burgeoning technological remnant. They had steam power, more advanced computers, and all sorts of useful mechanical devices. My protagonist, at that time, was a former slave boy applying for an education in Athens who became caught up in some intrigue involving the government. There was also a time-travelling girl from our version of events who popped in and out, and was somehow connected to the whole intrigue bit.

While the premise held some interest for me, the characters felt too bland, and so the idea went underground. It stayed there for several years. Then, while listening to the latest album from my favorite band, an idea struck me. How about taking the “musketeer” archetype and gender-swapping it? That idea quickly merged with the antikythera-inspired scenario. I switched the setting to Renaissance Italy (but with steam power!), dropped the time-traveling girl, and switched my protagonist to a swordswoman and scientist of that era. Rosaria was born. The character stuck with me, and so I stuck with the story.

It is an odd feeling when you discover how little you know, but it soon becomes fuel for the imagination.

When Did Science Fiction Begin?

It is a more difficult question than it seems. We all know what science fiction is, right? Ray guns and space ships and aliens? So we just go back in time, look for the earliest instances of these elements, and presto! We have the first literary work of science fiction.

But what about a totalitarian regime using technology that was but a stone’s throw away at the time it was written? Or a sexist dystopia with identical technology to the present day? What if the people with the ray guns, space ships and aliens can move things with their brains? Is this still science fiction, or are we going someplace else entirely?

Runicfire Recap: April 25 – May 6

I've been crunching for finals the past few weeks, and have slipped on my Google+ and Facebook announcements. My apologies. I have, however, been continuing to pump out content here on Runicfire, and I'd like to catch up any readers who follow me on Facebook or Google+ on what they might have missed. Recap begins beneath the jump: